9
nical design used enables a good sound to
be maintained even when applying major
adjustments to the signal, but we suggest
that you use this control with care to avoid
a bass‑heavy sound.
14. ML Control (Mid Gain)
Use this control to adjust the amount of
mids.
This control boosts and cuts the mids.
The exact frequency to be cut or boosted
is specified by means of the adjacent low‑
mid frequency control to the left of the LM
control. The technical design used enables
a good sound to be maintained even when
applying major adjustments to the signal,
but we suggest however to use this control
with care, the intention being more to sub‑
tly modify the sound than to fundamen‑
tally change it.
15. MF Control (Mid Frequency)
Use this control to select the mid frequency.
To select the frequency you want to adjust
we suggest you proceed as follows: To find
the frequency, first turn the gain control
ML clockwise to maximum, then search for
the frequency that you want to cut or boost
by slowly turning the frequency control
from full‑left to full‑right whilst playing.
In this way many sounds can be worked
out, settings above the middle with boost
bring e.g. punch and assertiveness in the
band structure. When confronted with poor
speaker cabinets it will help you to attenu‑
ate the undesirable “honk” of the speaker
by cutting the corresponding frequency.
Last but not least, targeted cutting of the
appropriate frequency will help to fight
feedback with acoustic instruments.
16. TREBLE Control
Use this control to adjust the amount of
treble/presence in your tone.
The treble control T cuts or boosts the up‑
per frequencies of your tone.
17. BCL Body Contour Level
Adjust the Body Contour Level or the level
of the notch filter.
The Body Contour controls have influence
on both input channels. In middle position
the sound is neutral, i.e. the BCL control‑
ler is not active. Turning the BCL control
counter‑clockwise it works like a narrow
notch filter to prevent feedback in a fre‑
quency range between 45 Hz and 500 Hz,
without altering the sound of your instru‑
ment. Turn clockwise and the body contour
level works like a broadband low to low‑
mid frequencies level booster to produce
a fatter sound or make small enclosures
sound larger.
18. BCF Body Contour Frequency
Adjust the frequency of the notch filter or
the low mid boost.
Here you can set the frequency within a
range of 45 bis 500 Hz. Depending on the
position of the BCL control (BCL = Body
Contour Level) this frequency will be nar‑
row‑band filtered or broadbandly boosted.
19. BOOST Control (Mix Loop)
Use this control to adjust the MIX LOOP
send level or the solo boost level.
This control has a double function de‑
pending on whether the MIX LOOP is used
or not. If the MIX LOOP is in use (effects
connected) this control allows you to ad‑
just (cut or boost) the signal level sent to
the input sensitivity of the effects in the
MIX LOOP. This is very useful if you use
effects that are sensitive to the dynamic
of the input signal (the RMI Acouswitch
IQ DI operates at twice the dynamic level
Manymanuals.com
Manymanuals.de
Manymanuals.fr
Manymanuals.it
Manymanuals.pl
Manymanuals.cz
Manymanuals.es
Manymanuals-pt.com
Commentaires sur ces manuels