Ruppert Musical InstrumentsUser Manual
10of a standard effect pedal and may cause some pedals to distort), or to overdrive older pedals, especially distortion units. If the RMI
11white = input INST B or Channel B).27. GROUND buttonPress the GROUND button to eliminate hum.If the GROUND switch is not pressed the inbuilt
12 Examples of possible set‑ups1. The RMI Acouswitch IQ DI as a preamp/booster/DI in stand‑alone mode
132. The RMI Acouswitch IQ DI as a preamp/looper/DI on a pedal boardDUAL BAND SMXOPTICAL COMPRESSORACTIVATEGAINACTIVELO HIGAINTHRESH RATIOCOMPHI-FREQB
143. The RMI Acouswitch IQ DI as AB switcher/preamp/booster/DI in stand‑alone mode4. The RMI Acouswitch IQ DI as AB switcher/preamp/booster/DI on a pe
155.The RMI Acouswitch IQ DI as line mixer
16True Bypass and True SoundToday more and more effect pedals fea‑ture true bypass switching to completely bypass the pedal in the signa
17guarantees optimal transient response by the circuitry and is key to obtaining a sound that is transparent and, above all, cuts through.For swit
18anteeing absolutely reliable and loss‑free switching of very sensitive signals. The switching technology and the gold‑plated relays in the R
Block diagram
Congratulations!With the RMI Acouswitch IQ DI you have purchased a high‑quality piece of musical equipment that will open up new dimen‑sions in
Contact:Ruppert Musical Instruments20a, rue de BascharageL ‑ 4995 SchouweilerLuxembourgTel./Fax: 00 352 691 379050 Web: www.rmi.luE‑Mail: jacques@rmi
3SummaryIntroduction 4Description 6Examples of possible setups 13Tech Talk 18Block diagram 19Technical data 19
4Why a specific preamp/looper/DI pedal for acoustic instruments? The reasons are obvious:The frequency range of acoustic instru‑ments goes fro
5- RMI Acouswitch IQ DI as a real clean boosterA foot switch and a volume control allow you to add a second high‑end amplifica‑tion stage upstream of t
61. Input INST AConnect your first instrument here.This is the standard input for all instru‑ments.When using this input you can use the A/B switchi
7Note: If you use only one cable for two in‑struments we recommend that you use the MUTE function (23) together with the A/B function when switching i
8ommend the following order for acoustic instruments: compressor – chorus/flanger – delay – reverb. Note: The loop path is located after th
9nical design used enables a good sound to be maintained even when applying major adjustments to the signal, but we suggest that you use this control
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